Theatrical fine art shot in 11th-century interiors.
Documentary archaeology of vanishing places.
International commissions carrying the CAZEBA signature.
A growing body of work — each series built the next.
It started with commissions — Starck, Ogilvy, Harper's Bazaar, Kraemer, Volevatch. The briefs ended. The images didn't. Then came the collections — hotels, cities, neon heritage, vanishing murals, abandoned hospitals. Each series carrying the CAZEBA signature from brief to delivery.
THE COLLECTIONS CARRY THE PURPOSE.
Philippe Starck (The Yamu Resort, via Ogilvy Action Bangkok). Harper's Bazaar Thailand (cover + editorial). Kraemer Paris (international hair campaign). Volevatch (luxury fixtures, advertising in high-end interiors press). Each commission carried the CAZEBA signature from brief to delivery — carte blanche, full client agreement, museum-quality outcome. The campaigns finished. The photographs stayed.
IPA 3rd Place Advertising. Available for international commissions and editorial collaborations.
Explore →An 11th-century Benedictine priory outside Paris. Thirty designers given carte blanche. Forty models. Six days. Each character — The Concierge, The Receptionist, The Confidente, Insomnia — dressed by a different designer in heritage and underground couture. Every frame a scene from a film that was never made.
Self-funded. Self-directed. Exhibited at GRK Gallery Paris and Art Monaco. Available as fine art limited editions and theatrical commissions.
Explore →Casinos implode buildings. LED replaces neon. Some neons survive — preserved at The Neon Museum Las Vegas, photographed under an official fine art licensing agreement. An ongoing independent documentary project. Nine signs across three chapters: Breaking Barriers · American Dreamers · Vernacular Masters. Among the women pioneers featured: Ann Meyers, the first woman to own a Vegas casino. Betty Willis, designer of the original Moulin Rouge enseigne — uncredited for decades, her work survives in the photographed letters of In Love. Continuing Denise Scott Brown's Learning from Las Vegas (1972).
Licensed Artist — The Neon Museum® Las Vegas. APA Honorable Mention. 10–15% of revenue funds neon heritage preservation. Not affiliated with The Neon Museum®.
Discover →The matrix where everything started. November 2004 — first mise-en-scène ever, twenty minutes before a Paris costume shop closed. Six years across Paris and Bangkok. Self-taught. No school. No rules. The laboratory where every CAZEBA series was born — from bedroom studio body paint to Bangkok surreal beach, from a duplex in Paris to the White House.
12 signature works · Limited edition fine art prints · Available for galleries, curators, and private collectors. The full corpus on request.
Discover Audace →Chromatic archaeology. The walls that made Wynwood famous are disappearing under luxury condos. I document what remains before the developers finish what gentrification started. Originally photographed May 2016, exactly one year after the rezoning that transformed the district irreversibly.
Miami · 2016. Documentary continuation 2026 — remote archaeology via Google Maps captures and stakeholder interviews podcast series.
Explore →Santa Monica. Venice Beach. The Pacific Coast. Photographed in 2015–2016 — months before the political shift that would redefine America. Boardwalk life, Pacific light, and the quiet poetry of a country that was still dreaming. A visual elegy to an era that didn't know it was ending.
California · 2015–2016. Pre-election era. Street photography as historical witness.
Explore →Seaview Hospital, Staten Island. The largest tuberculosis sanatorium in the world (1913–1961). Now largely forgotten. Medical archives still on the floor — patient names, doctors' notes, admission dates from 1954. A documentary archaeology of where America hid its sick — before history erased the place. "White plague" was tuberculosis's other name. The disease left. The architecture stayed. The silence remains.
Series in development. Conceptually linked to Memory Trains — bearing witness to what history tries to forget. Coming 2026.
Discover →Every series exists as fine art limited editions — museum-quality Diasec, editions of 5 to 30. Produced for galleries, collectors, and institutions. The commercial era funded the mission. The limited editions carry it forward.
NOT BECAUSE OF THE STORY,
BUT BECAUSE OF THE CRAFT.
THE STORY IS THE BONUS.
For exhibition enquiries, acquisitions, or curatorial projects.