SOCIAL IMPACT · 2007–PRESENT
Art Must Serve People & Causes
Since 2007, every CAZEBA project follows one principle: art generates revenue, revenue funds action. No grants required. No permission needed. Five projects. Three continents. One conviction.
Others wait for funding. I create it.
THE ARC
19 Years. FIVE Projects. One Architecture.
It started in Cambodia in 2007 with 350 children and a charity calendar that was never released. The photographs survived. The model was born: high-quality art attracts premium buyers who fund social impact directly. That model has never changed.
The project they cancelled became the prototype for everything that followed.
350+ children photographed in 2007. In 2027, I return to find them. A 9-dimension transmedia project: diptychs, book, documentary, exhibitions, community health, circular economy. 20th anniversary.
Discover the Project →A global street art campaign against domestic violence, developed with the NO MORE Foundation. Emergency platform live at say-stop.org. Campaign in active development.
My most personal project. The reason I became an artist.
Discover the Project →219+ women documented across generations. A transmedia project — book, podcast, documentary, exhibitions, art drops. Celebrating women who moved and still move & shape the world. 10% of all profits fund Say Stop.
Discover the Project →My photograph "Serenity Aspekt" became the face of a charity exhibition at Central World Bangkok. 100% of profits went to HIV-positive children in Thailand. A private collector acquired the work. Social impact and market value in the same room.
Discover the Project →A charity calendar turned high-fashion editorial. Miss Universe Nathalie Glebova, Thai celebrities, and rescue animals. 13 original artworks sold at auction. 100% of profits to SCAD Bangkok — rescuing and treating hundreds of stray animals.
Discover the Project →Every social impact project is self-funded through the sale of fine art photography and limited editions. HOPE Cambodia (2007), Photo Art Asia (2008), S.C.A.D (2009), Iconic Women, Say Stop — all follow the same architecture.
Collectors who acquire the art simultaneously fund the cause. No dependency on grants or institutional approval. The art sustains the artist. The art serves the people. Neither drains the other.
That's the difference between charity and architecture.
These projects need partners who believe art can do more than decorate walls. If you're a foundation, a gallery, a festival, a publisher, a city government, or a brand — and this resonates.
Impact updates. Project milestones. Stories from the field.