FINE ART · DOCUMENTARY · COMMISSIONS
I build worlds. I document the real.
Both deserve to last.
From an 11th-century priory to the Las Vegas neon boneyard. From the streets of Wynwood to the lakes of Cambodia. From the women history erased to the children re-found twenty years on.
Collections, commissions, long-term projects — each one building the next.
One discipline in service of stories that earned it.
THIS IS MY CHOICE. THIS IS THE EVIDENCE.
Ludovic Cazeba — Golfe de Saint-Tropez, France — International projects
Theatrical fine art shot in 11th-century interiors.
Documentary archaeology of vanishing places.
International commissions carrying the CAZEBA signature.
A growing body of collections — from Audace to Hôtel Particulier, from Afterglow Vegas to Wynwood Chronicles.
Philippe Starck (The Yamu Resort, via Ogilvy Action Bangkok). Harper's Bazaar Thailand (cover + editorial). Kraemer Paris (international hair campaign). Volevatch (luxury fixtures, advertising in high-end interiors press). Each commission carried the CAZEBA signature from brief to delivery — carte blanche, full client agreement, museum-quality outcome. The campaigns finished. The photographs stayed.
International Photography Awards 2007 — Honorable Mention, Advertising. Available for international commissions and editorial collaborations.
Explore →An 11th-century Benedictine priory outside Paris. Thirty designers given carte blanche. Forty models. Six days. Each character — the Doorman, the Receptionist, the Concierge, the Majordome, the Excentric Groom — dressed by a different designer in heritage and underground couture. Every frame a scene from a film that was never made.
Self-funded. Self-directed. Exhibited at GRK Gallery Paris and Art Monaco. Available as fine art limited editions and theatrical commissions.
Explore →Casinos implode buildings. LED replaces neon. Some neons survive — preserved at The Neon Museum Las Vegas, photographed under an official fine art licensing agreement. An ongoing independent documentary project. Nine signs across three chapters: Breaking Barriers · American Dreamers · Vernacular Masters. Among the pioneers featured: Ann Meyers, the first woman to purchase a casino in Las Vegas (1976). Betty Willis, whose letters survive in the photographed sign of In Love. In the lineage of Learning from Las Vegas (Venturi, Scott Brown, Izenour, 1972).
Licensed Artist — not affiliated with The Neon Museum®. Honorable Mention, Annual Photography Awards 2025. 10% of Afterglow print sales fund neon preservation — the artist's own commitment.
Discover →The matrix where everything started. November 2004 — first mise-en-scène ever, twenty minutes before a Paris costume shop closed. Six years across Paris and Bangkok. Self-taught. No school. No rules. The laboratory where every CAZEBA series was born — from bedroom studio body paint to Bangkok surreal beach, from a duplex in Paris to the White House.
12 signature works · Limited edition fine art prints · Available for galleries, curators, and private collectors. The full corpus on request.
Discover Audace →Three long-term missions. Three horizons measured in years, not campaigns. From children re-found twenty years on, to women erased from history reclaimed, to a global emergency platform live in 200+ countries — every project funded by the work itself.
In 2007, I photographed 350+ children across Cambodia — orphanages, street schools, Tonlé Sap floating villages, rural Siem Reap communities. In 2027, I return. Same faces, twenty years on. A 10-dimension transmedia project — full dossier available for institutions and partners.
IPA 2007 — Honorable Mention People. H.O.P.E — Where Art Becomes Action.
Discover →A global street art campaign against domestic violence. Founded by Ludovic Cazeba. In collaboration with the NO MORE Foundation (Pamela Zaballa, UN-affiliated) — the campaign supports and amplifies NO MORE's actions worldwide. Emergency platform say-stop.org currently under update — back online within 15 days, with first-aid directories across 200+ countries, accessible in under three minutes. Campaign in active development.
My most personal project. The reason I became an artist.
Discover →219+ women across thematic capsules — art, science, activism, entrepreneurship, politics, sports, environment, technology. Some living, ready to be photographed and interviewed. Some historical, all under-recognized. A transmedia project — books, podcast, documentary, exhibitions, art drops — passing their stories from one generation to the next. 10% of all profits fund Say Stop.
Ask someone to name 10 women who changed history. Most struggle past five.
Discover →Self-taught. From a housing project in Nantes to international commissions across continents. Photographer, documentarian, founder. Every project follows one rule: art must serve people & causes.
First access to drops. Project updates. Stories behind the work. No spam. No filler. Just signal.